Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.
Meet our soloist, Steven Banks, at Musical Insights. He and our Maestro Lawrence Eckerling will explore the concert program in depth.
Friday, May 31 at 1:30 pm,
Merion's Crystal Ballroom at
529 Davis St, Evanston.
FREE and open to the public.
Please RSVP to 847-570-7815.
Light refreshments will be served and casual tours of apartments will be available after the program.
Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.
You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
Orchestra members are eager to begin rehearsals in July for the August 29 concert of light classics, music from Broadway, and movie soundtracks, highlighted by the beloved "Theme from Schindler’s List" performed by ESO Concertmaster Julie Fischer, and concluding with the ever-popular 1812 Overture by Tchaikovsky and Sousa's "Stars and Stripes Forever."
Gillson Park offers 60 acres of beautiful lakefront property, ideal for picnics, bicycling, tennis, and many other spring and summer outdoor activities. In the heart of Gillson Park is the Wallace Bowl, a 2,500 seat amphitheater.
In 2014 Charles Taylor found himself unexpectedly conducting a children’s choir at Millennium Park. The concert was a tribute to Nelson Mandela, who had passed away the year before. The scheduled conductor was unable to make it and Charles suddenly found himself thrust into the limelight. He loved it. Now, 7 years later, he is honored to be the recipient of the prestigious scholarship of the William Grant Still Initiative for Black Conductors. The scholarship has several important goals.
It all began in February 1989 at an Evanston Symphony Orchestra rehearsal in the band room at ETHS. Fran Zirbel, then new to the Chicago area, had just joined the second violin section of the orchestra the month before. At that particular rehearsal, she and a handsome red-haired cellist made eye contact (as Jay says “from the back of the section you can look across and see almost everything”). At the break, Fran introduced herself to Jay Foley.
