We are a community orchestra which performs five concerts each season. Our players volunteer their time to play with us.
2019–2020 SERIES: GREAT COMPOSERS
Free Pre-Concert Preview Series!
Friday, March 13 at 1:30 pm
Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO General Manager David Ellis and ESO Maestro Lawrence Eckerling take you on an insider’s tour of the history and highlights behind the music.
Meet our soloist, Irina Muresanu, at Musical Insights. She and our Maestro Lawrence Eckerling and David Ellis will explore the March concert program in depth.
Friday, March 13 at 1:30 pm,
The Merion Crystal Ballroom at
1611 Chicago Avenue at Davis Street, Evanston.
FREE and open to the public.
Please RSVP to 847-562-5318.
Light refreshments will be served and casual tours of newly renovated apartments will be available after the program.
Give the gift of music
Treat a friend or relative to the ESO
Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.
You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
SHOP and Support the ESO!
Are you looking to buy a gift for someone at Amazon? Need to stock up on supplies from Amazon?
Amazon has a special program called Smile, where the company donates a small amount of your purchase to your designated charity. Once you select the ESO as your Smile recipient, just point your browser to smile.amazon.com each time you want to shop at Amazon and the Evanston Symphony will benefit. It won’t cost you a thing!
Thanks, and happy shopping.
Concert Content Highlights
Evanston Symphony Board member Robin Ashton asked ESO Maestro and Music Director Lawrence Eckerling about how he programmed this year’s subscription series line-up.
Ashton: Maestro, how do you go about programming a season. Do you start with a theme or what?
John Corigliano’s Promenade Overture is a modern take on a classical masterpiece.
The composer admitted as much in his program notes from the 1981 work. He commented that Franz Joseph Haydn’s Farewell Symphony caught him “off guard.” During the final movement of this symphony, the players exit until only a pair of violins remains. Intrigued by the notion of reversing the process — orchestra members entering at the beginning of a work while playing — Corigliano wrote an overture that does just that.
In 1853, at the age of 20, a young Johannes Brahms nervously presented himself to Robert and Clara Schumann. He was the leading composer of the day, and she was a prominent piano soloist and composer in her own right. This fateful meeting would lead to Brahms’ public introduction, and to a lifelong relationship, both musical and personal, with the couple. While Brahms owed the launch of his career to this great composer, he struggled under the weight of Schumann’s description of him as “a chosen one,” and in the shadow of Beethoven’s revolutionary Symphony No.