• Announcing Our 75th Anniversary Season, 2020–21

    CELEBRATING 75 YEARS of music making by and for our COMMUNITY

  • "Wrong Note Rag" from Wonderful Town

    "My favorite song by Leonard Bernstein that not too many people know."

  • ESO’s
    Share The Stage

    Share the Stage lets you sponsor a chair in the Orchestra. It’s our way of recognizing that the ESO Community is made up of Orchestra Members and Supporters.

2020–2021 SERIES: 75th Anniversary

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Musical Insights

Free Pre-Concert Preview Series!

Friday, Postponed TBD

Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO General Manager David Ellis and ESO Maestro Lawrence Eckerling take you on an insider’s tour of the history and highlights behind the music.

Meet our soloist, Kariné Poghosyan, at Musical Insights. She and our Maestro Lawrence Eckerling and David Ellis will explore the October concert program in depth.

The Merion
Friday, Postponed TBD,
The Merion Crystal Ballroom at
1611 Chicago Avenue at Davis Street, Evanston.
FREE and open to the public.
Please RSVP to 847-562-5318.

Light refreshments will be served and casual tours of newly renovated apartments will be available after the program.

Give the gift of music

Treat a friend or relative to the ESO

Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.

You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.

SHOP and Support the ESO!

Are you looking to buy a gift for someone at Amazon? Need to stock up on supplies from Amazon?

Amazon has a special program called Smile, where the company donates a small amount of your purchase to your designated charity. Once you select the ESO as your Smile recipient, just point your browser to smile.amazon.com each time you want to shop at Amazon and the Evanston Symphony will benefit. It won’t cost you a thing!

Thanks, and happy shopping.

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More about the ESO

ESO videos

We are happy to share videos of previous concerts with you until we can get back to sharing live concerts with you.

Mahler's Monumental "Resurrection" Symphony

Mahler

Gustav Mahler was born at Kalischt near the Moravian border of Bohemia on July 7, 1860, and died in Vienna on May 18, 1911. Mahler originally wrote the first movement of his Symphony No. 2 in 1888 as a “symphonic poem” entitled Todtenfeier (“Funeral Rites”). He wavered for five years about whether to make Todtenfeier the beginning of a symphony, and it was not until the summer of 1893 that he composed the second and third movements. The finale and a revision of the first movement followed in the spring and summer of 1894.

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May the Force Be With You

John Williams

Consider for a moment the film Star Wars, one of the most popular and highest-grossing movies ever created. Now think about the film without its score. Not so easy to do, right?

The iconic music from Star Wars, which features such movements as “Princess Leia’s Theme,” “The Imperial March” and “Yoda’s Theme,” is one of the most well-known and played pieces of movie music in the world. Fortunately for film buffs, the Evanston Symphony Orchestra will be playing the suite in its entirety at its May 7 concert.

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The Incomparable "Rach 3"

Rachmaninoff’s works have inspired many Hollywood soundtracks, so it is fitting that his Piano Concerto No. 3 has itself played a central film role. Shine, the 1996 movie based on the true story of Australian pianist David Helfgott, depicts the life of a piano prodigy pushed to perfection by his domineering father, and driven to madness by the technical and emotional demands of the “Rach 3.” The film earned praise from critics and audiences alike, and an Oscar for lead actor Geoffrey Rush. It also renewed interest in Rachmaninoff’s technical tour-de-force.

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Prokofiev's Movie Suite

Lt Kije Movie Poster

Sergei Prokofiev was not an obvious choice to compose the score for Lt. Kije, one of the earliest Soviet films. In 1932, he had not yet composed his more popular works, Romeo and Juliet or Peter and the Wolf. When approached by the film studio, Belgoskino, in 1932, Prokofiev saw it as a way to reach a wider audience, thanks to the international distribution of the film.

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