In 1853, at the age of 20, a young Johannes Brahms nervously presented himself to Robert and Clara Schumann. He was the leading composer of the day, and she was a prominent piano soloist and composer in her own right. This fateful meeting would lead to Brahms’ public introduction, and to a lifelong relationship, both musical and personal, with the couple. While Brahms owed the launch of his career to this great composer, he struggled under the weight of Schumann’s description of him as “a chosen one,” and in the shadow of Beethoven’s revolutionary Symphony No.
2020–2021 SERIES: 75th Anniversary
Free Pre-Concert Preview Series!
Friday, Postponed TBD
Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO General Manager David Ellis and ESO Maestro Lawrence Eckerling take you on an insider’s tour of the history and highlights behind the music.
Meet our soloist, Kariné Poghosyan, at Musical Insights. She and our Maestro Lawrence Eckerling and David Ellis will explore the October concert program in depth.
Friday, Postponed TBD,
The Merion Crystal Ballroom at
1611 Chicago Avenue at Davis Street, Evanston.
FREE and open to the public.
Please RSVP to 847-562-5318.
Light refreshments will be served and casual tours of newly renovated apartments will be available after the program.
Give the gift of music
Treat a friend or relative to the ESO
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You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
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Amazon has a special program called Smile, where the company donates a small amount of your purchase to your designated charity. Once you select the ESO as your Smile recipient, just point your browser to smile.amazon.com each time you want to shop at Amazon and the Evanston Symphony will benefit. It won’t cost you a thing!
Thanks, and happy shopping.
More about the ESO
We are happy to share videos of previous concerts with you until we can get back to sharing live concerts with you.
The ballet is based on the Russian folk tale of the Firebird, which Igor Stravinsky used as inspiration in his score. The Firebird ballet tells the story of Prince Ivan who defeats the evil Kastchei with the help of the Firebird, who offers one of her enchanted feathers to Prince Ivan after he spares her life while hunting in the forest. The feather is later used by Prince Ivan to summon the Firebird when he needs her help as Kastchei’s creatures chase after him.
As the monarchy is central to the history and government of England, so it is part of its musical heritage. Crown Imperial, also known as Coronation March, came to life during a turbulent time for the British crown. Composer William Walton originally composed the march for King Edward VII’s coronation, set for May 12, 1937. However, when Edward abdicated the throne in 1936, his brother, King George VI, became king to the tune of Crown Imperial instead.
Ralph Vaughan Williams was among the wave of European composers of the time who were interested in utilizing and recording folk music. Vaughan Williams found inspiration in English literature and traditional song, often quoting or imitating British folk tunes in his compositions. He was even a member of the English Folk Song Society, whose members sought to collect traditional music of the British Isles. Nine of these tunes found a place in the composer’s three-movement English Folk Song Suite, which was originally written for military band.